[Originally posted on Oct. 2nd at baltimorefilmguide.wordpress.com]
This weekend is Frederick’s annual 72 Hour Film Fest, a timed competition in which participants have three days to make a film. Unlike Baltimore’s 48 Hour Festival, in which participants are given a line of dialogue, prop, genre, or location, 72 Fest tends to have much more unique criteria, such as adapting stories or basing films around pictures given to participants. Throughout the summer, the marketing committee behind 72 has been posting video clues online, hinting at what this year’s theme may be. In each video, a children’s toy block with a letter could be seen.
Earlier this week, in preparation for Thursday night’s criteria launch, the festival announced, by spelling out the block letters seen in previous videos, that the theme will focus on “Science.”
Continue reading Frederick’s 72 Fest 2013
The following is a speech I gave introducing the category of “Documentary” at LKT’s Halfway There Festival at Towson University:
In 1980, at the premiere of documentarian Errol Morris’s first film Gates of Heaven, director Werner Herzog boiled and ate his shoe in front of a live audience. What would prompt a man to eat his own shoe, you ask? Herzog himself explains the logic behind the decision, “It should be an encouragement to all of you who want to make films and are just too scared to start… and who haven’t got the guts.”
Allow me to take a step back and explain. Herzog had noticed Morris’s incredible ability to find story material and to interpret it. The man was a genius who had yet to realize his full potential. We’re talking about the guy who went on to make The Thin Blue Line and Fog of War. In order to encourage him to get ANY film made, Herzog offered to Morris that if he could ever complete a single film, he would eat his shoes.
Continue reading Werner Herzog Eats His Shoe